Past Events
2024
BBC Proms - Royal Albert Hall - September 2024
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In September we were enormously excited to make our debut at the BBC Proms in a large scale performance of Handel's Messiah at Prom 65, part of a day celebrating choral music in all its forms.
The Fourth Choir joined forces with no fewer than five other choirs to create a giant "massed choir" to give the Messiah choruses their full dramatic potential – and were even joined by members of the audience for the iconic Hallelujah chorus. The Messiah, in Mozart's orchestration, was conducted by John Butt and played by the Academy of St Martin's in the Fields and the other choirs performing in the work were the Philharmonia Chorus, the J Max Ferdinand Singers – who also performed in their own prom earlier in the day – London Youth Chamber Choir, the Bath Minerva Choir and Voices of the Rivers Edge. Photos: Kathleen Holman & Elly Dragonetti "An astonishing display of vocal coordination" "The choirs were fully focused and word-clear at every point ... I'd not reckoned with the sheer joy of the overall impact" |
Classical Pride - Barbican - July 2024
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In July we returned to the Barbican for the second outing of conductor and producer Oliver Zeffman's Classical Pride festival.
This year the festival was expanded to a full week and we were delighted to be invited to perform the London premiere of our My Beloved Man concert at Milton Court. In the concert the letters of Benjamin Britten and Peter Pears were read by actor Samuel Barnett and presenter Petroc Trelawney. We also joined with queer singers from across London in an expanded community choir, singing Szymanowski's atmospheric Symphony No. 3 "The Night" with the London Symphony orchestra and tenor Russell Thomas in the star-studded finale concert of the festival. Photos: Matthew Johnson At the Barbican, as part of its five-day Classical Pride festival I heard the excellent Fourth Choir perform music across the centuries in My Beloved Man |
Songs of Ourselves – March 2024
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Songs of Ourselves is The Fourth Choir's first full length album recording – a project launched to celebrate the choir's tenth anniversary and which was made possible through the generous donations of our members and supporters in response to a fundraising campaign launched at the end of the previous year.
The album showcases works by underrepresented composers from throughout history and which have not been previously recorded. Featured composers include the renaissance writers Raffaella Aleotti, Caterina Assandra and Vicente Lusitano as well as contemporary composers Derri Joseph Lewis, Cooper Baldwin, Marie-Claire Saindon, Jessica Curry and Shruthi Rajasekar. The album also includes two commissions written for the choir by Kerry Andrew and Stuart Beatch. We recorded the album over three weekend days at the stunning St Jude-on-the-Hill supported by a fantastic production team of Jacob Ewens and Tom Mungall. We were also pleased to share a preview of the music featured on the album with our supporters in two preview concerts at the sparkling Fitzrovia Chapel and St Gabriel's Church in Pimlico. Photos: Kathleen Holman |
2023
A Christmas Gaiety - Royal Albert Hall - December 2023
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The Choir was invited back again to the Albert Hall to take part in their camp, Christmas extravaganza, A Christmas Gaiety. As well as singing our hit from last year’s concert, The Twelve Gays of Christmas with alternative words by a Choir member who wishes to remain anonymous (Rioghnach Sachs), we were the backing singers for drag legend, Le Gateau Chocolat, in a powerful and moving version of Nothing Compare 2 U, a tribute to the late Sinéad O’Connor, which brought the audience to its feet for a sustained ovation. Anna Lapwood put the Albert Hall organ through its considerable paces, Sandi Tokvig brought effortless star power and the BBC Concert Orchestra (almost) camped everyone else off the stage. Quite a party!
Photos: Andy Paradise |
Music for a Winter’s Night - December 2023
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We returned to the beautiful church of St Clement Danes in the Strand, our regular winter venue for some years now. We were delighted that our audience numbers had returned to pre-pandemic size and, for the first time since Lockdown, our Winter Concert was sold out, with a waiting list for returns.
Jamie Powe, our Music Director, selected a wide range of Xmas music that can be enjoyed by people of every religion and none. The Choir sang pieces by some of our favourite composers such as Cecilia McDowall, Nathaniel Dett and Richard Rodney Bennett. Well-known works, such as In the Stillness by Sally Beamish and an exquisite choral arrangement of Away in a Manger, were contrasted with Renaissance rarities by the Portuguese Vicente Lusitano, believed to be the first published black composer, and the Italian nun, Isabella Leonarda, who, despite living in a convent from the age of 16 until her death at the age of 83, was one of the most prolific women composers of her time. An address was given by Thelma Ndaula, Operations Manager of the charity Say It Loud Club which provides social, emotional, educational and advocacy support for LGBTQ+ refugees and asylum seekers in the UK. Photos: Kathleen Holman |
Shoulder to Shoulder - November 2023
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For its 10th anniversary concert The Fourth Choir celebrated the Life, Loves and Legacy of Dame Ethel Smyth at Milton Court Concert Hall in the Barbican.
Dame Ethel Smyth – suffragette, passionate bisexual and the first female composer to be made a Dame of the British Empire – provided the inspiration for a journey through a thousand years of choral masterpieces. We heard music from the Middle Ages, the Renaissance, the 19th century and the present day, including two world premieres, specially commissioned for this concert: a setting of poetry by Emily Dickinson by composer Kerry Andrew, and a special collaboration that paired words by actor and poet Ashleigh Wilder with music by singer-songwriter and activist CN Lester. Conducted by Jamie Powe, the concert was narrated by leading actors on stage and screen Juliet Stevenson (Truly, Madly, Deeply; Wolf) and Charlie Josephine (I, Joan; Cowbois). Photos: Matthew Johnston "That really was phenomenal. Even aside from the adventurous programming and creative composition of the whole, the singing was really beautiful. Such a blend and subtle dynamics. Just lovely. I found it so moving” “The choir is incredible, world class. But also that it is rooted in the identity it has and commissions from that place is so inspiring. |
My Beloved Man - August 2023
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The love that Britten and Pears had for each other during their 39-year relationship was at the heart of this concert. Using the letters they wrote to each other, read by Radio 3’s Petroc Trelawny and Capital Radio’s Zeb Soanes, Britten and Pears told their story in their own words - falling in love, living together illegally as a same-sex couple, exile in America, the hardships and separations of the War, their international success and the challenges of Britten’s failing health in his final years.
The Choir illustrated their story with a cappella choral music, not only by Britten and his friends and contemporaries, including Imogen Holst, Tippett and Samuel Barber, but also by the composers of earlier centuries that Britten loved and was influenced by, such as Purcell, Monteverdi and Pérotin, giving a 360-degree portrait of the man, his music - and his Beloved Man, Peter Pears. The Fourth Choir performed My Beloved Man at Snape Maltings, the concert hall that Britten and Pears built together, and were overwhelmed by the audience response, not only at the concert but afterwards on social media. Photos: Kathleen Holman "I’ve never known an entire choir to need to come back to take a second curtain call and I’ve been going regularly to Snape for nearly 40 years! So well deserved.” Alan F |
Classical Pride at The Barbican Hall - July 2023
Watch the encore - we also joined rising-star soprano Ella Taylor in a choral arrangement of the White Lotus theme music which brought the house down!
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The Fourth Choir, along with members from several other choirs, sang in Classical Pride, a special charity event to celebrate the profound contribution that the LGBTQ+ community makes to classical music.
We sang a new piece Echoes by Julian Anderson, written especially for the occasion, with baritone soloist Davóne Tines and the City of Birmingham Symphony Orchestra, conducted by Oliver Zeffman. The concert also featured music by LGBTQ+ composers, from Tchaikovsky to Poulenc, Bernstein, and Caroline Shaw as well as LGBTQ+ soloists Pavel Kolesnikov, Samson Tsoy, Nicky Spence, and Ella Taylor. It was a wonderful occasion, raising money for three fantastic LGBTQ+ charities: Terrence Higgins Trust, Amplifund and Rainbow Railroad. Photo: Matthew Johnson 
The Anderson "was rapturously sung by the LGBTQ+ Community Choir assembled for the occasion". 
[The choir's] "echoes of the eloquent, statuesque American bass-baritone Davóne Tines's words were vividly affecting". |
Love, Loss & the Whole Damn Thing - June 2023
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We were thrilled to make our debut at the world-famous Wigmore Hall with a special Pride concert, celebrating exclusively the music of queer composers.
Titled Love, Loss & the Whole Damn Thing, there was love - a passionate setting of an ancient Irish poem by Samuel Barber, Gian Carlo Menotti’s lover of more than 40 years. There was death - a boy & and a boy, a celebration of a lifelong queer relationship by the Canadian composer, Stuart Beatch, formerly the Fourth Choir’s resident composer. The poem is a queer riposte to the well-known piece by Eric Whitacre, A Boy and A Girl. There were laughs - Jennifer Higdon’s witty Telegram which references both Elvis and Emily Dickinson. And there were tears - Aaron Copland’s heart-breaking motet Help Us O Lord and Michael Tippett’s rousing setting of the spiritual Deep River. Plus music from from Benjamin Britten, Meredith Monk, Michael Bussewitz-Quarm, Peter Maxwell Davies, Kerry Andrew, William Linthicum-Blackhorse and Leonard Bernstein, queer composers exploring everything in this life and beyond. Conducted by Nicholas Chalmers, presented by Petroc Trelawny with an introduction and special performance by our Patron Ann Murray DBE. Photos: Kathleen Holman |
Memorial Service - April 2023
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The Choir was honoured to sing at a Memorial Service at Hinde St Methodist Church organised by OneBodyOneFaith, a charity advocating for a change of attitude by all the Christian denominations in the UK towards the LGBT+ members of those church communities.
The purpose of the Memorial Service was to raise awareness amongst church leaders to the loss of life to suicide and the wider experience of harm experienced by LGBT+ people, following exclusion from and mistreatment in church environments. Representatives from ten Christian denominations attended the Service. |
The Only Planet - April 2023
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Guest Conductor (and Fourth Choir bass) Dusty Francis hails from Ohio and the music he has selected for this concert The Only Planet at the candlelit Sam Wanamaker Playhouse had an American flavour.
The concert was structured around the three verses of In the Cool of the Day, a haunting ballad by Jean Ritchie, a folksinger-songwriter from the Kentucky Mountains who was a major influence on Bob Dylan. Each verse contains a stricture that we may only live in the Garden if we keep the grasses green, feed the lambs, keep the waters clean. Evocations of the beauty of nature by William Billings, an 18th century composer from Boston, and contemporary composer Carol E. Barnett from Iowa, gave way to compositions by queer composers Samuel Barber (In the Coolin’) and Stuart Beatch (a boy & a boy), in which the beauty of nature became a metaphor for the happiness of loving couples. Further reflections on nature were provided by New Yorkers Adolphus Hailstork (Nocturne) and William Hawley (Not One Sparrow is Forgotten) and Dale Trumbore (Returning) from Southern California. Europe was represented by Judith Bingham (The Drowned Lovers), Vaughan Williams (Full Fathom Five) and Finnish composer, Jaakko Mäntyjärvi, whose Canticum Calamitatis Maritimae, a lament for the 852 lives lost when a ferry sank in the Baltic in 1994, is an acknowledged choral masterpiece. The concert culminated with Cooper Baldwin’s excoriating Libera Me in which words from the Latin Requiem Mass "Deliver me, oh Lord, from the day of wrath when you come to judge the world by fire” intermingle with extracts from the 2022 IPCC Report warning of the effects that global warming will have on this Garden, this Earth, our Only Planet. Alto solo by Cara Curran in The Drowned Lovers by Judith Bingham. Photos: Kathleen Holman |
2022
Music for a Winter's Night - December 2022
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Our December concert was a celebration of winter, in the stunning church of St Clement Danes in the Strand. The first half of the concert explored themes of miraculous birth from the Christian tradition and beyond, with early works by underrepresented composers including Vicente Lusitano – the first black composer published in Europe, and the recently rediscovered legacy of women composers who worked in Renaissance Italian convents. Composers such as Isabella Leonarda, who didn’t start to compose until the age of 50 and went on to compose over 200 works. These were paired with more modern works by Nathaniel Dett, Cecilia McDowall and Shruthi Rajeskar's shimmering Star of Rohini, which draws parallels between the mythologies surrounding the births of the infant Jesus and Krishna.
In the second half of the concert the choir sang traditional and reimagined carols and seasonal works in Swedish, Spanish, Hebrew and German. A poignant trio of lullabies leads on to Jonathan Dove's dramatic The Three Kings before a blissful and atmospheric ending of Jan Sandström's arrangement of Pretorius' Es Ist Ein Ros Entsprungen. An address was given by Aderonke Apata, who founded African Rainbow Family, a charity that supports LGBTIQ+ refugees and asylum seekers of African heritage fleeing persecution from their countries of origin. Photos: Kathleen Holman |
Royal British Legion Festival of Remembrance - November 2022
Watch just The Lords' Prayer here, or watch the full programme on BBC iPlayer (UK only) or on YouTube (International).
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We were very honoured to have been asked to perform in the Royal British Legion Festival of Remembrance 2022 at the Royal Albert Hall. The Festival is a commemorative event dedicated to all those that have served and sacrificed from Britain and the Commonwealth.
Other performers included Andrea Bocelli, Hollywood actor and singer Luke Evans, West End star Hannah Waddingham, musical theatre sensation Marisha Wallace, actress Shona McGarty, spoken word poet Jaspreet Kaur, and The Bach Choir. His Majesty, King Charles and members of the Royal Family attended and The Festival was broadcast on BBC One. The Choir was conducted by Jamie Powe and sang a setting of The Lord's Prayer by William Petter for the Service of Remembrance. We also joined actress Shona McGarty in a rendition of Leonard Cohen's Hallelujah and sang the hymns Jerusalem and Sunset (based on the traditional bugle call) with the Bach Choir and congregation. For me your singing of the Lord’s Prayer was perfect for the moment and took us beautifully on from the prayers to the poem. The singing of the Lord's Prayer made a beautiful contrast to the powerful, martial music of the Muster prior to the service. |
From Great Kings to Great Gatsby - October 2022
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The Fourth Choir was thrilled that our Autumn Concert was in the historic - and chic - Eltham Palace and the music that we chose reflected both characteristics of the Palace. In the first half we sang Tudor music to the accompaniment of a lute and interposed Cecilia McDowall’s evocative O Oriens (“The splendour of the eternal light from the East”) to commemorate the visit of no less a figure than the Emperor of Byzantium who spent Christmas 1400 at Eltham Palace.
The music in the second half reflected the Gatsby designs of the Courtauld renovations. We sang music by Gershwin, George Shearing and, in his 150th anniversary year, Ralph Vaughan Williams’ luxuriantly beautiful Serenade to Music. The concert was conducted by Hillary Campbell, with Jonatan Bougt on Lute and Guitar, and Ian Shaw on Piano. James Tucker took us through readings on the history of the Palace as well as The Great Gatsby by F. Scott Fitzgerald. Photos: Kathleen Holman |
Love in Bloom - July 2022
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For its Pride Concert this year, The Fourth Choir celebrated that endlessly fascinating subject, LOVE! We included music by Kate Rusby, Michel LeGrand, Leonard Bernstein, Robbie Burns, Cecilia McDowall and Judith Weir. The concert also featured a performance of The Hymn to St Cecilia, an astonishing twelve-minute masterpiece by those queer geniuses, Benjamin Britten and WH Auden, which asks whether love should be chaste or sexual - St Cecilia or Aphrodite.
The concert was at Stone Nest, scene of the Limelight, London’s most hedonistic nightclub in the 1980s. And because we were performing in the heart of the West End, we celebrated music theatre with wonderful choral arrangements of pieces from Rent and West Side Story. Conducted by Ben Horden with a solo by Dame Ann Murray. |
The Politics of Polyphony - Music to Die for - March 2022
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This concert followed the fascinating history of polyphony from its earliest beginnings, through the turbulent and dangerous days of the Reformation and Counter-Reformation, to the present day. How did composers comply with the diktats of kings, queens and popes - even when they felt that to do so would imperil their immortal souls - and still manage to produce some of the most beautiful choral music ever written?
A thousand years of music was performed in the Romanesque majesty of the Priory Church of St Bartholomew the Great, Smithfield (founded in 1123 and about to celebrate its 900th anniversary). The masterpieces of Josquin, Byrd, Tallis and Palestrina were be paired with more modern compositions by Judith Weir, Kerry Andrew, Rosephanye Powell, Nathaniel Dett and Poulenc, revealing surprising similarities in music composed worlds and centuries apart. Conducted by Jamie Powe with a narrative performance by actor Nick Mercer. Photos: Kathleen Holman |
Winter Light - January 2022
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At the darkest time of the year, poets - especially in northern Europe - turn to the celebration of light. Last year, during a very dark time we were deprived of the consolation of music and community so the Fourth Choir was delighted to be return once again to the beautiful church of St Clement Danes in the Strand to celebrate light and new life.
Hilary Campbell conducted the Choir in winter-themed masterpieces by William Byrd, Gerald Finzi, Nicola LeFanu, Sally Beamish as well as the deliciously French Hymn à la Vierge by Villette. We also moved northwards to Russia, Denmark and Latvia where they really know about winter light. Rachmaninov’s Nunc Dimittis, perhaps the most beautiful movement from his All Night Vigil Vespers, leads into Winter Hymn by the Danish composer Per Nørgård, a choral work of almost symphonic breadth and intensity. The concert closed with Stars by Erik Ešenvalds, accompanied by the other-worldly sound of singing glasses. |
2021
A Meeting Place - October 2021
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A Meeting Place was a collaborative performance project between The Fourth Choir and an ensemble of Deaf professional musicians and performers and was held at Milton Court Concert Hall, Barbican. The performers were conducted by Nicholas Chalmers and included Dr Paul Whittaker OBE, Raffie Julien, Stacey Ghent, Sean Chandler and Becky Barry.
The concert took a step beyond interpretation and created a fully bilingual and bicultural programme that deeply explored how to marry sung and signed performance and created a musical "meeting place" between the Deaf and hearing world. We included a cappella music spanning over 450 years and premiered an innovative new choral commission by Kate Whitley, that used an original British Sign Language poem by DL Williams as its source text. With support from The National Lottery Community Fund and D'Oyly Carte Charitable Trust. |
The Breath of Life - July 2021
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After 18 months without an audience, the Fourth Choir lifted up our voices once again in St Augustine's Kilburn Church and reflected on the pain and losses of the pandemic. We sang the Requiem of 1603 by Tomás Luis de Victoria, interspersed with pieces by contemporary composers: Songs of Sorrow by Sheena Phillips, a lament for the war in Syria; Jessica Curry’s Home, a setting of a poem by Warsan Shire that became famous during the refugee crisis (“No one leaves home unless home is the mouth of a shark”); and a setting for double choir by William H. Harris. The rest of the concert consists of songs of hope by James MacMillan, Joanna Marsh, Eric Whitacre, Ēriks Ešenvalds and Cecila McDowall’s Regina Caeli with its thrilling opening exultation of “Alleluia”.
Esther Jones: Guest Musical Director |
A message for Earth Day - April 2021
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Earth Song by Frank Ticheli
'The scorched Earth cries out in vain' To mark Earth Day 2021 we collaborated with another queer classical ensemble Cor Flammae from Vancouver, Canada to record this haunting song by Frank Ticheli. Planned, recorded and edited in isolation. |
2020
Celebration of Home - December 2020
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Between the November Lockdown and London going into Covid Tier 4, the Fourth Choir managed to have just one rehearsal in the Siobhan Davies Dance Studios. Grabbing the opportunity, we brought along cameras and recorded two songs to wish our friends a Happy New Year. The songs are connected by the theme of 'Home' and are Shomer Yisrael, a traditional Jewish song arranged by Benjamin Till, and The Road Home by Stephen Paulus.
We were delighted that our video won second place in the Barcelona-based choir video competition 57 FESTIVAL INTERNACIONAL DE CANT CORAL 2022, in the “with masks” category. https://www.youtube.com/watch?v=UrdUsX_AzO4 |
Christmas at the (Snow) Globe - December 2020
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We were delighted to be invited back perform in Christmas at the (Snow) Globe, a musical story merging Shakespeare and Christmas themes in the Globe Theatre - but brought into people's homes in a covid-safe festive film premiere. Created and directed by Sandi Toksvig OBE and Jenifer Toksvig. Cast and performers also including Stella Duffy OBE, Chris Jarman, Tony Jayawardena, Sophie Trott, Louise Voce, David Perkins Trevor Dion Nicholas, and Mary Price O’Connor.
The Fourth Choir led all the singing - virtually and safely from our own homes and pre-recorded on our mobile phones. |
Lighten Our Darkness - November 2020
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The coronavirus pandemic had a huge impact on our choir. We lost friends and family this year and been kept apart from each other when we most needed support. Lighten Our Darkness, by Ben Parry represented our hope and determination in the toughest times.
“TREMENDOUS & very moving. Tears have flowed. Great to see everyone doing what they do so very well. Well done & love to the gang.” Annette Badland "Oh my! This is a beautiful video. I hadn’t realised when I wrote the piece how resonant the words would be in these bleak times. Thank you to all the choir members for doing this lovely film.” Ben Parry, the Composer |
Virtual Hand In Hand Festival - August 2020
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In the late summer, the Choir took part in the Hand in Hand Virtual Festival 2020, run by Proud Voices UK & Ireland. The festival included an opening and closing ceremony, a series of virtual concerts, and workshops and roundtables where choirs shared their experiences of lockdown and strategies for survival and growth. For our contribution, we submitted an extract from our virtual Pride celebration -'The Letter' by Stuart Beatch, which is part of a set of songs The Senate House commissioned from Stuart in 2018.
Laura Chioffi, one of our Trustees, has made a video introductory video about the choir and you can watch it here. |
Be Proud in Isolation! - June 2020
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Despite the difficult times we have been going through, The Fourth Choir felt that it was more important than ever to celebrate Pride in 2020. So, we created this celebration video on YouTube. Some of our favourite people dropped in to say hello and we tell about Invisible Rainbow, an exciting project that we’re developing to celebrate the unacknowledged contribution that LGBT+ artists have made to rock and pop music since the 1950s. The Parade may have been cancelled but the party wasn’t! So, get your Pride glad rags on, pour yourself a drink and join us.
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Recording session - February 2020
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Just before the lockdown got going, the Choir got together with the wonderful Barb Jungr to record a song she has written, presciently called “In My Troubled Days”, with John McDaniel, a Grammy-winning American musician that Barb’s been working with over the last couple of years. John did an arrangement of the song for Barb and the Fourth Choir so we decided to record it and we’re so glad we did. It’s a beautiful, comforting song for the times we’re living in.
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National Holocaust Day - BBC2 - 27 January 2020
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The Choir was honoured to participate in the National Holocaust Day Ceremony at Central Hall Westminster. This was the second time we sang at the National Ceremony and it was very moving and humbling to listen to the witness of survivors of the Holocaust and subsequent genocides. Politicians, royals and church leaders were all present but the most sustained applause was given to Ian Forsythe, a Scottish soldier who was one of the first to enter Bergen-Belsen concentration camp on its liberation. Now 95, Mr Forsythe said “We must learn that freedom is for everyone. We’re not all the same but that should be celebrated. We need to stand together against oppression.” To which we can only say “hear, hear!” The Ceremony was broadcast on BBC2 and on iPlayer:
Watch the video highlights at the Evening Standard |
2019
Christmas at the (Snow) Globe - December 2019
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We were delighted to perform in the merry and heart warming Christmas at the (Snow) Globe, a musical story merging Shakespeare and Christmas themes in the stunning Globe Theatre. Created and directed by Sandi Toksvig OBE and Jenifer Toksvig. Cast and performers also including Stella Duffy OBE, Becky Barry, Chris Jarman, Tony Jayawardena, Sophie Trott, Louise Voce, David Perkins and Mary Price O’Connor. Conducted by Dominic Ellis-Peckham and David Dellaire.
"There are few places I’d rather be at Christmastime than crooning carols in the Wooden O with Toksvig, her merry eight-strong cast and singers from the Fourth Choir. " Brian Logan, The Guardian |
In the Stillness - St Clement Danes - December 2019
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Once again, the Fourth Choir celebrated the start of the Christmas season in the white-and-gold splendour of St Clement Danes in the Strand. Following on from our autumn concert Powerful and Dangerous, women who have made a difference, we featured spell-binding compositions by women, like the exquisite In the Stillness by Sally Beamish, as well as songs by Ann Burgess, Cecilia MacDowell, Elizabeth Poston, Elizabeth Maconchy and our own commission of a choral arrangement of With Us by Clare Wheeler, which she originally wrote for the Swingles Singers. We also featured a ground breaking setting by Ēriks Ešenvalds of Stars a poem by Sara Teasdale, which included choir members playing tuned crystal glasses.
An address was given by Gabby Edlin, Founder of Bloody Good Period, and the audience donated £1170 for this charity dedicated to ending period poverty by giving these products to those who can’t afford them. |
Powerful and Dangerous - October and 3 November 2019
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Women have been slandered and attacked whenever they have dared to stand up, fight back or be true to themselves. But, as American writer and activist Audre Lorde said unapologetically, ‘Women are powerful and dangerous’. In this spirit, The Fourth Choir offered a concert in praise of self-identifying women who have made a difference. Spanning politics, religion, journalism, science, sports and the arts, we told histories of women who changed our world – from Queen Elizabeth I to Lady Phyll, from Sappho to Marielle Franco, and from Nina Simone to Lyra McKee.
The music included compositions by Baroque nun Sor Juana Inés de la Cruz, Italian singer Barbara Strozzi, and living composers Meredith Monk, Jessica Curry and Cecilia McDowall, as well as music honouring women written by John Wilbye, Francis Poulenc, and David Conte. The concert also premiered a new commission by our Composer-in-Residence, Stuart Beach, a setting of a poem by Sofia Samatar called Girl Hours – which remembers astronomer Henrietta Swan Leavitt who worked at Harvard in the 1890s and discovered a way to measure stellar distances using the pulsing of variable stars. We performed this concert at three locations: First at The Charterhouse, an eight-acre site next to Smithfield Market which has, since 1348, been a monastery, a private mansion, a boys school and an almshouse. The performance wandered from the beautiful 16th century chapel to the 14th century cloister and then to the Great Chamber where the 25 year-old Elizabeth I held court when preparing for her coronation. Then a smaller 20-member ensemble of the choir performed the concert in the small but perfectly formed Omnibus Theatre in Clapham. And finally, we returned to the in candle-lit Sam Wanamaker Playhouse at Shakespeare's Globe, to be part of the 2019/20 winter theatre season which revolved around She Wolves and Shrews, interrogating the perception of women in the work of Shakespeare and his contemporaries, and reflecting on gender power dynamics, then and now. Narrated by Dame Ann Murray and Annette Badland. With Jonatan Bougt on the theorbo and guitar. Huge congrats to @thefourthchoir on a very powerful and moving evening of music at @The_Globe honouring women who’ve changed the world, past and present, and often in the worst possible circumstances. I laughed and cried" Alex Mills, Composer |
Antwerp Queer Art Festival - August 2019
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The Fourth Choir and Jonathan Blake were honoured to take Stonewall Warriors to the Antwerp Queer Arts Festival, as part of Antwerp Pride 2019. We performed in the stunningly beautiful neo-gothic St Joris Kerk.
This was the fourth time we performed this musical and dramatic journey back to 1969, and through many other eras, where more Warriors left behind touching testimonies of same-sex love. Jonathan Blake, an early HIV survivor and actor also came to Antwerp with us and narrated the stories. |
Stonewall Warriors - 28 June 2019
Photos: Carol Moir
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28 June 1969 was the most important day in LGBT+ history. On that day, a glorious assembly of Stonewall Warriors – rent boys, butch lesbians and drag queens – fought back when police raided the Stonewall Inn in Greenwich Village. They started a riot that lasted three nights and kick-started the fight for LGBT+ rights around the world.
The choir marked this important occasion at Heaven, the worlds most famous nightclub, with a musical and dramatic celebration travelling through many other eras, where more Warriors left behind touching testimonies of same-sex love. The event brought hidden LGBT+ histories to life, with hauntingly beautiful music by composers such as 12th century nun Hildegarde of Bingen, and 20th century composers Benjamin Britten, jazz legend Billy Strayhorn, and Rufus Wainwright. Extraordinary, real-life stories – of a woman put on trial in 18th century Germany for marrying another woman, history’s most famous bisexual love triangle, a composer who liked to wear drag, and the story of Jonathan Blake, an early HIV survivor – were retold by actors Jonathan Blake, Mzz Kimberly, Annette Badland and Sacha McCormack. The Fourth Choir were faultless in their skill and dedication, especially the enchanting sopranos, and it was clear that much passion, dedication and love had gone into this project." The Upcoming |
Colour Palace - June 2019
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We've performed in some amazing spaces over the years and were delighted to sing at the official launch of the Colour Palace designed by artist Yinka Ilori for the Dulwich Picture Gallery. We also sang at the inside the gallery at the reception revealing Japanese artist Nahoko Kojima’s giant crocodile sculpture made from just a single piece of paper. Conducted by Victoria Ely.
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Recording session - June 2019
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Senate House commissioned Stuart Beatch, the Fourth Choir’s resident composer, to compose I am like many, which we premiered in 2018. The piece is in four parts, and comprises quotations from a 1958 debate when the UK Parliament discussed if homosexuality should be decriminalised. Read about the music here.
We also recorded a rarely heard song by Pyotr Ilyich Tchaikovsky which tells about children bullying the child Jesus for growing roses.
In this recording session, we also focused on songs that were part of our 2016 composition competition.
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Madonna at Eurovision - Tel Aviv - May 2019
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London Oriana Choir, which is one of our Artistic Director Dominic Ellis-Peckham's other choirs, was asked by Madonna to perform with her in Tel Aviv, at the 2019 Eurovision Song Contest. Oriana invited our tenors and basses to join them and the combined choir of 35 singers dressed as monks accompanied Madonna on Like a Prayer. Dominic prepared the choir for this event and travelled with them to Tel Aviv. The performance reached 180 million viewers.
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Barb Jungr - May 2019
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The Choir was delighted to be invited by cabaret legend Barb Jungr to sing with her on a track on her next CD Bob, Brel and Me. We sang the classic Jacques Brel song If We Only Had Love in a new English translation and a new arrangement by jazz whizz-kid, Jamie Safir.
We also joined Barb May 9 onstage at the Purcell Room, Southbank Centre to sing the Brel song, as well as the grand finale of her concert This Wheel's on Fire by Bob Dylan, where the audience responded with a standing ovation. The choir was conducted by Victoria Ely. A really happy occasion. Read the review of the CD on Broadway World. "Jungr promised the audience a surprise towards the end of the show, and this came in the shape of an appearance by the LGBT+ choral group the Fourth Choir, who accompanied her on a charged and urgent version of Brel's "Quand on n'a que l’amour”. Humane, challenging, funny and restorative, this energising evening found one of the great contemporary chansonnières at her finest." Popmatters.com |
After Edward - March-April 2019
Photos: Kathleen Holman
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The Fourth Choir performed in After Edward at Sam Wanamaker Playhouse. The show rang for eight evenings, and was a companion piece to Christopher Marlowe’s Edward II, also playing at the Playhouse.
After Edward was written by Tom Stuart, the actor playing Edward II in the Sam Wanamaker’s current revival, which is performed by the same cast as this new play. Edward II presents a gay relationship in a deeply tragic way and from a condemning perspective. After Edward explores what it means to be a gay man today – a different world, and yet one where sexuality can still be a source of shame. After the play, we filled the foyer with a repeat flashmob performance of Pet Shop Boys' Liberation, arranged by Laura Moody. "After Edward reaches its rousing conclusion with the help of the Pet Shop Boys and the exuberant Fourth Choir” WhatsOnStage |
Love is Love - April 2019
Photos: Kathleen Holman
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We were thrilled to be invited a third time to perform a concert in the candlelit Sam Wanamaker Playhouse with an hour-long programme of words and music by LGBT+ poets and composers to mark the 50th anniversary of the Stonewall Riots in June 1969. The Stonewall Warriors which we chose to celebrate were not just the glorious assembly of rent boys, butch lesbians and drag queens who fought back against police corruption and persecution in New York in 1969. They were Warriors from many eras who have left behind touching testimonies of same-sex love.
This concert was part of Part of Voices in the Dark: Pride, Then and Now, a short season of LGBT theatre at the Sam Wanamaker Playhouse. The narrative was written by choir member Séamus Rea and read by Globe actors Colin Ryan, Sanchia McCormack, Polly Frame, Annette Badland, Katie West and gay activist and early HIV survivor Jonathan Blake. Solos by choir members Eleanor Wolff and James Guy. |
The Fourth Choir's Fifth Birthday Concert - March 2019
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The Choir celebrated our fifth birthday at the Musical Museum, home to a fascinating collection of self-playing instruments, and a glowing mighty Mighty Wurlitzer theatre organ from the 1930s, which rises up from the below the stage.
A special highlight was a choral arrangement with the Wurlitzer, and an organ solo showing off the capabilities of this spectacular instrument. The concert featured a world premiere of a new commission called Song of Myself, by Stuart Beatch, the Choir's composer in residence. We also featured songs from our previous commissions and competitions, our events that commemorated The Marriage (Same-Sex Couples) Act, 400th anniversary of Shakespeare’s death, and our Essential Ella programme at the Jazz Cafe. |
UK National Holocaust Memorial Ceremony - January 2019
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The Choir was very honoured to have been invited to perform at the UK National Holocaust Memorial Ceremony held at the Queen Elizabeth Conference Centre in Westminster, attended by religious leaders and leading politicians from all parties. There were moving testimonies from Holocaust survivors and of survivors from more recent genocides in Cambodia, Rwanda, Bosnia and Darfur. Our performance included an arrangement and solo by choir member Eleanor Wolfe, and was conducted by Victoria Ely.
“A powerful, poignant performance” |
2018
St Clement Danes - December 2018
Photo: John Banyard
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Stars, the Heavens' Flock - Once again, the Fourth Choir celebrated the start of the Christmas season in the white-and-gold splendour of St Clement Danes in the Strand.
This year, traditional carols mingled with the less familiar ones, like the exquisite Heaven’s Flock by the hugely successful Latvian composer, Ēriks Ešenvalds. "Stars, you are the heavens’ flock, tangling your pale wool across the night sky…" We also featured other living composers such as Adrian Peacock, James Burton, Kerry Andrew, Will Todd, Jonathan Rathbone, Mack Wilberg, and Bob Chilcott. The Choir's Patron Dame Ann Murray read a poem by Robert Frost. And an address was given by Bojana Asanovic, Chair of UK Lesbian and Gay Immigration Group, which provides support for LGBTQI+ asylum seekers. Video art was provided by the Video Production and Scenic Art students from the Royal Academy of Dramatic Art (RADA). 
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Mansion House - December 2018
Photo: Andrea Liu
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The Fourth Choir was invited by Thames Chamber Choir to join them to sing Spem in Alium, a 40 part motet by Thomas Tallis. The event was a special dinner occasion for Peter Estlin the Lord Mayor (2018-19) at the Lord Mayor's residence Mansion House. The choirs were also joined by East London Evensong and Lisson Grove Choir.
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Armistice Centenary Day - 11 November 2018
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The Choir was invited to sing a recital in the Chapel Royal at Hampton Court Palace on Armistice Day.
Major Rob Ridley gave a Memorial Address that spoke to the diversity of this devastating global event and of those whom we commemorated: Over 70 million soldiers, colonial and internationally contracted labourers from at least 64 countries were mobilised. Over 80,000 African troops, of whom over 10,000 were killed; 350,000 African and 10,000 Native Americans troops, plus Hispanic, Polish, Italian, Arab and Armenian Americans served; Over 800,000 Hindu, 400,000 Muslim, 100,000 Sikh soldiers, Brahmin, Rajput and Ghurkha fought, a long way from home, for Britain. The French force was equally diverse and over 1,300,000 Muslims served our Russian allies. |
Chapel Royal of St Peter ad Vincula, Tower of London - October 2018
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Do Not Go Gentle into that Good Night - November 2018 marked the centenary of the end of World War One during which an estimated 20 million soldiers and civilians lost their lives. In this concert, the Choir sang the sublimely beautiful Requiem by Herbert Howells together with songs of mourning and consolation with works by other English composers: Purcell (who as a boy was a member of the choir of the Chapel Royal and would have sung in this Chapel), Vaughan Williams, Alexander Campkin, Toby Young and James MacMillan. The concert finished with Erik Whitacre’s masterpiece, When David Heard, a lament lasting seventeen minutes of highly dramatic vocal writing.
The Choir's Patron Dame Ann Murray read a poem by Walt Whitman. And a Memorial Address was given by a Major Rob Ridley, the chair of the Army LGBT Forum. The Forum champions that the LGBT+ Community within the Army is treated with the same degree of respect that any soldier can expect. The centenary of the start of World War One was commemorated by the never-to-be-forgotten image of a river of poppies flowing from the windows of the Tower of London and filling the moat with 888,246 poppies, one for every member of the British armed forces who was killed. The Tower also marked the centenary of the end of the War with another installation by the same artists: for eight evenings leading up to Armistice Day itself, the moat was filled with thousands of individual flames, creating a circle of light, radiating from the Tower. The Fourth Choir was honoured to perform this commemorative concert in such an appropriately historic venue. |
Great St Bartholomew - June 2018
Photos: John Banyard
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A Journey Through Time - All the music in this concert was composed by British Choral Icons. We started in the modern world, with the church illuminated by electric light, singing music by living composers such as Roxanna Panufni, Charlotte Bray, and Kerry Andrews, and moved back to earlier generations of British composers with works by Britten and Tavener, Howells and Stanford.
After the interval, the electric lights were dimmed and we entered a candlelit world, beginning with Sullivan’s poignant The Long Day Closes and moving back through the centuries to the Golden Age of Purcell, Byrd, Tallis and John Shepherd. The concert concluded with music that was written when Great St Bart’s was newly-built, by composers such as John Farmer and William Cornysh, arriving at last at the oldest surviving piece of English music, possibly even older than Great St Bart’s itself - St Nicholas written by Saint Godric who died in 1170. St Bartholomew the Great was founded in 1123 and is London's oldest surviving church. It escaped the Great Fire of London of 1666 and was one of the few City churches to escape damage during the Second World War. The church has been featured in numerous films, including Four Weddings and a Funeral. |
UK Parliament and Channel 4 - June 2018
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The Fourth Choir was part of peaceful protest outside the UK Parliament, together with Amnesty International, Stonewall, and Liberty and singing together with The Pink Singers. The protest was timed to coincide with the EU Withdrawal Bill debates, which threatened to exclude crucial humans rights from UK law. The protest was featured on Channel 4 News.
https://www.channel4.com/news/may-appeals-to-tory-mps-ahead-of-crunch-brexit-votes |
Tate Britain - June 2018
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We were honoured to sing at the opening reception of Aftermath: Art in the Wake of World War One at Tate Britain. The exhibition marks 100 years since the end of World War One and looks at how artists responded to the physical and psychological scars left on Europe. Conducted by Andrea Brown.
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Recording Session - June 2018
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The Choir had an exhausting but exhilarating day recording songs from our Do Not Go Gentle and Love is Love programmes.
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Love is Love - May 2018
Photo: John Banyard
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We performed a concert at Senate House as part of their exhibition Queer Between the Covers which ran January to June 2018. The exhibition examined the diverse ways in which literature has been central to the culture’s handling and understanding of the meaning of 'queerness'.
Our concert Love is Love was a celebration of nine centuries of same-sex love. With one exception, every work in this programme was composed by an LGBT+ composer or is a choral setting of words by an LGBT+ poet. The programme included works by Michelangelo, Shakespeare, Tchaikovsky, Camille Saint-Saëns, Francis Poulenc, Aaron Copland, Michael Tippett, Benjamin Britten, choir member Kit Burton-Senior, Jennifer Higdon, and Meredith Monk, and bore testament to the contribution that LGBT+ artists have made to global culture. Senate House also commissioned Stuart Beatch, the Fourth Choir’s newly-appointed resident composer, to compose a song which we premiered at the concert. The song I Am Like Many, comprises quotations from a 1958 debate when the UK Parliament discussed if homosexuality should be decriminalised. One MP quoted a letter from a gay constituent who had been sent to prison which finished “I do not pretend that I am good. But I am like many”. |
Vauxhall - March 2018
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For our Spring concert A Red, Red Rose, we sang songs about love from the medieval chants of Hildegarde of Bingen (1098–1179) who was inspired by visions to write O Dulcissime Amator 'O Lover Sweet' to living composers MacMillan, Whitacre, Chilcott, Cecilia McDowall, and Roxanna Panufnik.
Wheatsheaf Hall in Vauxhall is an exposed brick Victorian Mission Hall and was an atmospheric place to contemplate the greatest of human emotions. After performing at Wheatsheaf Hall, we went to Duckie to sing for the evening revellers at The Royal Vauxhall Tavern. |
Holocaust Memorial 'The Power of Words" - January 2018
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The Harrow Arts Centre invited us to sing at their annual Holocaust Memorial. This incredibly moving event started with representatives from eight different religions, plus the Humanist Society, lighting memorial candles. Children from a local school performed, speakers recounted their experiences of coming to this country as part of the Kindertransport and of surviving genocide in Bosnia. Singing was provided by the London Jewish Male Choir and The Fourth Choir. Conducted by Andrea Brown.
It was the first time that the LGBT+ community had been represented at this event and we were honoured to be there to mourn the men who wore the pink triangle and everyone who suffered and died in the Holocaust. |
Essential Elle - Jazz Cafe - January 2018
Photo: Kathleen Holman
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We returned to the Jazz Cafe in Camden as the headline act to pay homage to one of the most important voices in the history, Ella Fitzgerald.
We sang arrangements of Fitzgerald's greatest hits, including Summertime, My Funny Valentine, Dream a Little Dream, Crazy, What a Wonderful World, They Can't Take That Away From Me, I've Got You Under My Skin, It Don't Mean a Thing If It Ain't got That Swing, and others. |
2017
London Gay Symphony Orchestra Winter Concert - December 2017
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We joined the London Gay Symphony Orchestra at their Winter Concert at St Giles-without-Cripplegate to repeat a few songs from the 18th century splendour of Daquin's wonderful set of pastoral songs, and perform the timeless Beethoven's Ninth Symphony.
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Joyeux Noël - December 2017
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The Fourth Choir combined forces with the London Gay Symphony Orchestra for an evening of traditional Christmas music - including the London première of Les Douze Noëls by baroque master Louis-Claude Daquin, at St Clement Danes on The Strand.
Louis-Claude Daquin (1694-1772) was a glittering musical star of his day who surpassed Rameau in the 18th century but whose fame faded after his death as he rarely transcribed his music, leaving us with only two full compositions. Like a modern day jazz musician, he improvised his compositions and so, without recordings, most of his wonderful music went to the grave with him. Luckily, these 12 Noëls made it onto paper, and arranged by Simon Wright, they capture the mystery and magic of Christmas in their sparkling Baroque elegance. An address was given by Dr Elly Barnes MBE, CEO of Educate & Celebrate, and a collection was taken for this charity dedicated to making schools LGBT+ friendly. Readings were interspersed between the songs, dramatically presented by actor Akiya Henry, and all solos were provided by choir members. "The Fourth Choir’s Christmas concert was a lovely event in a beautiful venue. The Choir’s lullaby to a real newborn baby was really touching and the singing was beautiful.” |
Victoria and Albert Museum - December 2017
Photos: Kathleen Holman
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The Fourth Choir performed in the incredibly atmospheric Tapestry Room at the V&A on World Aids Day, as part of the V&A's Opera: Passion, Power and Politics exhibition. The evening included a talk by Matthew Story on Opera and Queer. With soloists from the choir and Jonatan Bougt on the Theorbo.
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Chiesa d'Oro - Songs from under the Venetian stars - October & November 2017
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We started the autumn season with a concert that we repeated at two venues - Fitzrovia Chapel and St Botolph without Aldgate.
Chiesa d’Oro – church of gold – has been the affectionate nickname of the San Marco basilica in Venice and San Marco and the stars of Venice are the inspiration for the repertoire for the concert. The first half was music written by composers who lived or studied in Venice when the Venetian Republic was at the height of its power and influence in the 16th and 17th centuries - music by Giovanni Gabrieli, born in Venice around 1555, who became principal organist at San Marco; and Giovanni Legrenzi and Claudio Monteverdi, both of whom held the coveted post of maestro di cappella at San Marco. We also sang works by two northern European composers who were heavily influenced by Italian music: Giaches de Wert, from Flanders and the German composer, Heinrich Schütz, who studied twice in Venice, first as a young man with Gabrieli in 1609 and later with Monteverdi himself in 1628. The second half of the concert took up the theme of stars and consists of music by living composers such as James Macmillan, Bob Chilcott, Eric Whitacre and Kim André Arnesen. |
National No2H8 Crime Awards 2017 - October 2017
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The National No2H8 Crime Awards is a coalition of organisations that work on tackling hatred, intolerance and prejudice. We were honoured to sing at their 2017 award ceremony.
The theme for 2017 was entitled, ‘Upstanders and Not Bystanders‘. It reflected on the need to challenge hatred, intolerance and bigotry safely and with added vigour given the sharp rises in hate incidents and crimes we have seen post Brexit and other national and international incidents. |
Sam Wanamaker Playhouse at Shakespeare's Globe - June 2017
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We were thrilled to be invited a second time to perform a concert in the candlelit Sam Wanamaker Playhouse celebrating the 20th anniversary of Shakespeare's Globe for their Friends and supporters. The Playhouse is only lit by candles and it is one of the most beautiful intimate theatres in London. It was a sold-out concert with a wonderful festive atmosphere.
We sang a range of music from Shakespeare's time to contemporary arrangements of Shakespeare sonnets by Ward Swingle, Dominic Peckham and Nils Lindberg. We finished with three jazz pieces, including an arrangement by one of our our choir members Eleanor Wolff. Readings were provided by RSC actors Akiya Henry, Janie Dee and Brendan O'Hea and soloists were members of the choir Nigel Pilkington, Cat Jones, Oli Glynn, Sophia Allen, Luke Taylor, Ed Parry, and Eleanor Wolff. |
Recording Session - June 2017
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In our 2017 recording session, we sang a selection of our favourite songs from the year.
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The Age of Enlightenment - 22 and 29 June 2017
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Our two Summer Gala Concerts were in a unique underground venue - the Grand Entrance Hall of the Thames Tunnel at Rotherhithe. When the Tunnel was opened in 1843, it was the eighth wonder of the world - the first tunnel anywhere in the world to run beneath a river. The Tunnel is still used by Overground trains but, last year, the Brunel Museum installed a new staircase into the Grand Entrance Hall, making it accessible to the public for the first time in 145 years.
The Hall has the acoustic of a cathedral and the Choir sang music from the era - appropriately on the theme of rivers - by Bach, Mozart, Victoria, Scarlatti, Monte, Tippett as well as some music which has historical connections with the Tunnel - Slow Fresh Fount by William Horsely whose daughter married Isambard Kingdom Brunel, the Tunnel’s engineer; and Richte Mich Gott by Mendelssohn, a family friend of the Horsleys, who was shown around the Tunnel by Brunel himself when he was on a visit to London in 1843 when the Tunnel first opened. The concerts also included a premièred performance of setting of a poem by Wilfred Owen The Ghost of Shadwell Stairs, the third piece commissioned by the Choir from award-winning composer Alexander Campkin. Owen's enigmatic poem of 1918 described his secret life cruising London’s dock area. "I am the Ghost of Shadwell Stairs... I walk till the stars of London wane and dawn creeps up the Shadwell Stair. But when the crowing syrens blare I with another ghost am lain." With Roland Anderson on cello and Chris Lee on continuo. |
Palazzo Doria Pamphilj in Rome - June 2017
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We were invited to perform in Rome at the 10th anniversary concert of Roma Rainbow Choir. We gave a joint concert inspired by the sonnets of Shakespeare and Michelangelo in the baroque splendour of the Palazzo Doria Pamphilj, home of Prince Jonathan Doria Pamphilj, his civil partner Elson Braga, and their two children. We received a extraordinarily warm welcome and joined the Roma Rainbow Choir on the Rome Gay Pride Parade as well.
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British Library - June 2017
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We were invited to perform at the launch of Gay UK - Love, Law and Liberty, an exhibition at the British Library celebrating the 50th anniversary of the Sexual Offences Act partially decriminalising male same-sex relationships in England and Wales in 1967 (Northern Ireland had to wait another 15 years). The keynote speaker was Lord Cashman, former Eastenders actor and one of the first out gay politicians.
The exhibition features film, original manuscripts and rare printed items tracing a history of troubles and triumphs for gay people, including Sarah Waters’ manuscript notebook for Tipping the Velvet, the diary of Kenneth Williams, the 1957 Wolfenden Report, the Gay Liberation Front Manifesto, and vinyl from the Pet Shop Boys. |
St Georges Bloomsbury - March 2017
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We marked the end of Winter and the start of Spring with a concert called Awakenings. We were back in one of our favourite venues - St George's Bloomsbury - a Hawksmoor church with a stunning white interior. It also has a fabulous surround-sound acoustic and we sang the Renaissance polyphony of the De Lassus and Palestrina from different sides of the hall. The nineteenth century was represented by Mendelssohn, the twentieth century by Howells and the twenty-first century by Eric Whitacre, Roderick Williams and Bob Chilcott.
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Museum of the Order of St John - February 2017
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In February 2017, we returned to the Museum of the Order of St John, this time to perform in the medieval hall, rather than the priory. We were invited to perform a 30 minute concert for the attendees of the AGM of the British Neuropsychiatry Association.
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Concert and party at Wilton's Music Hall - February 2017
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After the previous week’s concert at Hoxton Hall, the Choir moved on to yet another East End music hall. This time we sang at a private black-tie event in the gob-smackingly atmospheric Wilton’s Music Hall. This hall came to life in 1859 when it was converted from five houses which date back to the 1690s. People literally gasp when they walk into the shabby-chic auditorium, so overwhelming is the sense of history. Perhaps that’s why Time Out recently included Wilton's in its list of the ten most romantic places in London.
Our concert included highlights from our Love Letters repertoire in the first half, whilst the second half had a much more cabaret feel to it, comprising our favourite Ella songs from the Jazz Café gig. Appropriately for a theatre where benign ghosts watch the performances from the balcony, the most dramatic moment of the evening was when the voice of Maria Callas singing Casta Diva suffused the theatre whilst the Choir accompanied her singing live and images of the great Diva were projected onto the back of the stage. As an encore, we premiered a new arrangement by Birgitta Kenyon of Somewhere Over the Rainbow, for soprano solo, choir and piano. The aching purity of soloist Eleanor Wolfe’s voice brought the evening to a gentle close as many eyes in the audience misted over and the ghosts returned to their slumbers… |
Love Letters - a Valentine's concert at Hoxton Hall - February 2017
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We marked Valentine’s Day with a celebration of the most powerful emotion of all – love! Love songs by British composers such as Vaughan Williams, Holst, Chilcott and Judith Bingham were contrasted with choral arrangements of songs by Prince, Cole Porter and Ward Swingle. Canadian composer Stuart Beatch attended, and we performed the European Première of his song ‘I Loved You First’.
The music was interspersed with readings of love letters from famous same-sex couples of the past – Oscar Wilde in triumph and despair; Vita Sackville-West’s disarming declaration of love to Virginia Woolf; and Tchaikovsky having a wild night out in Paris. The letters were read by the noted actor, writer and director, Neil Bartlett and by Akiya Henry, a regular performer with the RSC, Shakespeare’s Globe and the Royal National Theatre. The concert was at Hoxton Hall, another one in our series of concerts at London’s hidden architectural gems. Hoxton Hall is an extraordinary survivor from the past - an honest-to-God, actual East End music hall, built in 1863. 'Legends. Reppin. We have a lot of respect for this incredible choir.' Nonchalant London, London's Lesbian Lifestyle Website |
Essential Ella - The Jazz Cafe - February 2017
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Paying homage to one of the most important voices in the history, Ella Fitzgerald, The Fourth Choir had our debut headline performance at The Jazz Cafe in Camden.
We sang two sets of arrangements of Fitzgerald's greatest hits, including Summertime, My Funny Valentine, Dream a Little Dream, and It Don't Mean a Thing, if it Ain't Got That Swing, amongst others. It was a fantastically fun and memorable gig, and a big diversion from our usual musical fare. Presented by Dominic Ellis-Peckham with Chris Hill on bass, Andrew McCormack on piano and solos by members of the choir. "Hugely warming evening, celebrating Ella Fitzgerald |
2016
An Archer Christmas Carol - December 2016
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The Fourth Choir joined the students of The Archer Academy, East Finchley, and the Archer Community Choir for a Christmas concert at All Saints Church. We sang several joint songs with the student choir and orchestra. Our members lead the evening with Alice Humphrey conducting the school choir, Cat Jones conducting the school orchestra, and Lara de Belder leading Archer Community Choir.
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Sam Wanamaker Playhouse at Shakespeare's Globe - December 2016
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We were utterly delighted to be invited by Shakespeare's Globe to perform at their Friends Christmas Concert, in the exquisite and intimate candlelit Sam Wanamaker Playhouse. It was a sold-out concert with a wonderful atmosphere. Readings were provided by RSC actors Akiya Henry, Dickon Tyrrell and Belinda Lang. An unforgettable concert for all of us.
"Venue of the season for me was the Sam Wanamaker Theatre attached to the Globe Theatre, a small, Shakespearean style playhouse lit only by candles. The programme was delivered by The Fourth Choir, who are members of London's LGBT+ community and they were absolutely stunning. The precision, the blend, the sparkle, the communication with the audience was as fine as any I've heard. And believe me, you hear a lot of choirs in 65 years. Well done, Fourth.” Siubhán Ó Dubháin, author of Kilbroney and The Fiddler of Kilbroney "The concert was wonderful and we have had such happy reports from all our friends. On top of the beautiful music the use of space was brilliant and everyone has said what a great concert it was." Marcel Bruneau, concert organiser |
Christmas at Versailles (in London) - December 2016
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For our Christmas concert this year, the Fourth Choir joined forces with the baroque orchestra, the Meridian Sinfonia, for an evening of festive music with a French twist at St Clement Danes on the Strand.
The first half of the concert was a performance of Charpentier’s enchanting Messe de Minuit pour Noël. Written in 1690, this piece conjures up the glories of the court of Louis XIV. Soloists were provided by members of the choir. The second half was more traditional fare: Bach, Herbert Howells, Vaughan Williams and a piece by the popular contemporary British composer Cecilia McDowell. The French baroque theme was represented by Allons Pasteurs by Louis-Claude Daquin and Away in a Manger sung to a traditional Normandy melody. The audience donated £943 in a collection for Naz and Matt Foundation, a charity with the mission to stop religion from coming in the way of the unconditional love between parents and their LGBT+ children. |
Variety with the Stars - November 2016
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We were delighted to sing at Variety with the Stars, a thrilling evening of entertainment at the Charing Cross Theatre to raise funds for The Mark Evison Foundation. We were conducted by Birgitta Kenyon, with solos by choir members Anna Macham, Tracey Button and Luke Taylor.
Simon Callow hosted the show, which featured some of our most loved actors and musicians performing their favourite works – Penelope Wilton, Joanna Lumley, Lesley Sharp, Imogen Stubbs, Oliver Cotton, Tom Poster, David Campbell, the theatre group Incognito directed by David Sulkin. The Mark Evison Foundation encourages and enables young people to fulfil their own personal challenges and pursue their dreams. Lt Mark Evison died in 2009 from a gunshot wound while serving as a British army officer in Helmand Province, Afghanistan. He was attempting to get the platoon to safety following an ambush. The Foundation was set up in his memory, and his values and characters are a driving force within it. |
Reception for 1418-Now - November 2016
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The Fourth Choir was asked to perform Memorial Ground at the 1418-Now press and sponsors reception at the Institute of Contemporary Arts (ICA).
Memorial Ground was commissioned by 1418-Now and the East Neuk Festival to mark the centenary of the Battle of the Somme. Written by Pulitzer Prize-winning composer David Lang, Memorial Ground was premiered at the East Neuk Festival in July. Paul Hillier and his acclaimed Theatre of Voices performed with singers from the Scottish Chamber Orchestra Chorus and amateur choirs from around Fife. The work has subsequently been performed by choirs and singing groups across the country in the period up to Remembrance Sunday. 14-18 Now is a five-year government-sponsored programme of extraordinary arts experiences connecting us all with the First World War. Most notably, they commissioned the stunning Poppies: Wave and Weeping Window by Paul Cummins and Tom Piper. |
Companions of Angels - October 2016
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A concert inspired by the Order of St John and its long history of nursing the sick and wounded, conducted by Andrea Brown. The concert started with “O gloriosissimi lux”, an incandescent choral masterpiece written by Hildegard of Bingen in the 12th century just after the Order was founded, and finished with “Standing as I do before God” by Cecilia McDowall, an intensely moving setting of the words of Edith Cavell, the WWI nurse executed by the Germans despite having tended both German and British wounded. We were honoured that Cecilia McDowall attended the concert.
The concert also included a performance of Memorial Ground by Oscar-nominated composer David Lang, written to commemorate the centenary of the Battle of the Somme. Every performance of the piece has been unique as David Lang composed a large body of musical material from which each choir selected melodies to sing to texts of their own choosing. Companion of Angels was part of the 1418 Now Programme. "That was such a beautiful performance of Standing as I do before God, most movingly sung by The Fourth Choir and soprano soloist, Annabelle Southern, all conducted with great sensitivity by Andrea Brown." Cecilia McDowall |
Shakespeare Concert, Antwerp - August 2016
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The Choir re-staged our April 23 Shakespeare programme which was one of the highlights of Antwerp’s Queer Arts Festival: a week-long festival preceding the city’s Pride celebrations. The concert took place in the beautiful chapel of a former monastery in the centre of Antwerp, now hotel and conference centre Gasthuis Elzenveld.
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Amasing Festival, Amsterdam Concertgebouw - August 2016
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The Choir performed abroad for the first time and in one of the world’s great concert halls – the Concertgebouw in Amsterdam – where we took part in Amasing, a wonderful festival of 14 European LGBT choirs during Europride. As well as performing our own set, we were honoured to collaborate with Galakoor, Amsterdam's classical LGBT choir, providing the soloist parts for Mendelssohn Psalm 42. We also made our debut European radio performance when we featured twice on Dutch NPO Radio 4, before and after the festival. Listen to us sing Ešenvalds' Only in Sleep at 1.07.56
Watch the performance on YouTube "It was an honour to have been invited to the Europride Choir Festival last Friday in the Concertgebouw. It was a true festival of joy, celebrating the wonder of singing within the context of the LGBT community. The Fourth Choir from London was also there. My goodness, how beautifully they sing. Let them touch your heart too." Nicolas Mansfield, director Nederlandse Reisopera |
Art Night, Duke of York Steps on The Mall - July 2016
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Inspired by Paris’s annual Nuit Blanche, London hosted its first ever Art Night in July this year. The Institute of Contemporary Arts (ICA) asked The Fourth Choir to take part in 'Destination Moon. You must not look at her', a performance on the Duke of York Steps, developed by contemporary artist Linder, composer Maxwell Sterling, fashion designers Christopher Shannon and Louise Gray, Professor Surinder Singh and the Raj Academy as well as dancers and models to create an epic 5 hour performance piece.
Read the review in the Evening Standard > "I can't keep track of the amount of compliments, kind words and praise that people kept saying to me about you all. You breathed life into my arrangements and compositions and added a timbral colour and quality that no other choir could have done. Dominic's conducting and leadership of the choir is quite spectacular, and something that, I feel, is quite unique and rare. To watch the pieces grow and transform with Dominic's guidance and suggestions was such a joy for me." Maxwell Sterling |
Colourscape at Waddesdon Manor - June 2016
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We were invited to perform again in Colourscape in the large walk-in environment of colour and light. Each year Eye Music Trust commissions one new work for the final day of the festival. In 2015, The Fourth Choir's resident composer Alexander Campkin was asked to create a cross-media performance that filled the entire structure and brought to life the many journeys that can be taken through it.
Watch the video on YouTube > |
Sing Out! at Hackney Empire - May 2016
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Our Artistic Director Dominic Peckham led vocal workshops, and we performed with a stellar line up at Hackney Empire, including Sons of Pitches, Stratford East Singers led by Bryon Gold, Hackney Empire Community Choir, Vocalize (Hackney Empire youth choir), Bolder Voices, Tottenham Community choir, Reggae Choir with Hackney school children Solid Harmony.
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The Dark Lady & The Tender Churl - 23 April 2016
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The Fourth Choir presented a gala concert marking the 400th anniversary of Shakespeare’s death in the stunning Middle Temple Hall, which is where the first performance of Twelfth Night took place in 1602, and the only surviving building in which Shakespeare himself performed.
The Dark Lady and the Tender Churl focused on the tortured love triangle portrayed in the Sonnets between Shakespeare, the Dark Lady and the handsome younger man referred to in the first Sonnet as the Tender Churl. Tobias Menzies performed some of the most beautiful and moving of the Sonnets. And choral music included compositions by Tomás Luis de Victoria, Ralph Vaughan Williams, Jaakko Mäntyjärvi, Alfred Janson, and Ward Swingle. A highlight of the concert were four world premières of the winning entries of a competition launched by the Fourth Choir for a new choral setting of one of the Sonnets. "... how things have changed, I thought as I sat in Middle Temple Hall for an impressive concert by the The Fourth Choir. Life in Britain isn’t perfect, but when bastions of conservatism like the Temple celebrate diversity, you have to smile. We’re getting there." Michael White for Rhinegold Publishing |
Shakespeare Choral Composition Competition
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In November 2015, The Fourth Choir launched a competition for a new choral setting of some of the “Tender Churl” Sonnets which were written to or about the handsome young man that Shakespeare fell in love with. The prize for winning first place was £1000. By January 2016, we had received 96 entries from 17 countries around the world - Australia, Brazil, Canada, Czech Republic, Finland, Germany, Greece, Holland, Ireland, Italy, New Zealand, Poland, Portugal, South Africa, Sweden, UK, and the USA. The entries were judged anonymously, and the judges were Dominic Peckham, our Artistic Director, Andrea Brown, our Associate Director, and Alexander Campkin, our Composer in Residence.
First place: Ian Lawson (Wales, UK) Runners up: Benjamin Cramer (Minnesota, USA, studying in Scotland), Stuart Beatch (SK, Canada) Honorable mentions: Justin Rubin (Minnesota, USA), Manos Panayiotakis (Crete, Greece) |
Physical - An evening with poet Andrew McMillan - March 2016
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A performance as part of the Words series at Kings Place. The poet Andrew McMillan won the 2015 Guardian First Book Award for his brilliant collection of poems Physical, on the subject of Gay masculinity. As well as readings of the Physical poems, the event also featured conversations with the poet about his work, and music performed by The Fourth Choir. Sponsored by The Rimbaud and Verlaine Foundation and Poet in the City.
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Had I Not Seen The Sun - February 2016
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A Celebration of Winter Nights and Northern Lights at St Sepulchre-without-Newgate. Our winter concert looked north, to learn from Slavic, Scandinavian, and Celtic composers how to love the winter sunlight. Music included a Norwegian version of “Agnus Dei”, a Swedish version of a Shakespearean Sonnet and a Russian version of the “Our Father”. The concert was completed by dazzling settings by Tarik O’Regan of two beautiful Emily Dickinson poems including “Had I Not Seen the Sun”.
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British Museum Great Court - February 2016
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The British Museum has a large number of objects that provide evidence that desire between members of the same sex has always been an aspect of human existence and experience. We sang two concert sets at a special LGBTQ event 'Love throughout history' at the British Museum, which was part of LGBT History Month.
Find out more about A Little Gay History > |
2015
A December Song - December 2015
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We returned for the third year to St Giles-in-the-Fields for a candlelit concert of seasonal choral music by Tavener, Vaughan Williams, Whitacre, Warlock, Howells and Allain. RSC actor Ian Drysdale delivered two readings from a short secular story by gay writer Truman Capote called “Christmas Memory”. And two of our members read short poems and blessings from the Moslem and Hebrew traditions. The audience donated £805 in a collection for Mermaids UK, a charity that provides family and individual support for teenagers and children with gender identity issues.
"Musically, two highlights for me were the wonderful ‘Lux Aurumque’ (Whitacre, Esch, Silvestri) and ‘Coventry Carol’ (Allain). The harmonies were breathtaking. Exquisite. My bones were resonating. The female soloists shone throughout the evening. On the whole, The Fourth Choir are surprisingly good and they are quickly going from strength to strength under the leadership of Dominic Peckham." Matthew James Hunt (Writer and author of 'I am not Gog') |
An Archer Christmas Carol - December 2015
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The Fourth Choir joined the students of The Archer Academy, East Finchley, for their first Christmas concert at All Saints Church. We sang several joint songs with the students, as well as performed several songs of our own, within a varied programme provided by the school. Our members lead the evening with Alice Humphrey conducting all the choirs, Lara de Belder leading the warm up, and Elly Barnes giving a little talk about celebrating our differences.
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A Partsong and a Pint - October 2015
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We celebrated our second anniversary and 20th performance at St George's Bloomsbury, using the natural surround-sound acoustics in this stunning church dating from 1730. The concert included early partsongs by Byrd, Lobo, Gibbons, Bennet and Wilbye, paired with contemporary songs by MacMillan, Villette, and Esenvalds.
“Thanks to you all for such glorious singing - sheer joy!" Jonathan Blake (of LGSM featured in the movie Pride 2014) |
Colourscape Festival - September 2015
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The Fourth Choir was invited to perform in the finale of the Colourscape Music Festival on Clapham Common - in the large walk-in environment of colour and light. Each year Eye Music Trust commissions one new work for the final day of the festival. This year, The Fourth Choir's resident composer Alexander Campkin was asked to create a cross-media performance that filled the entire structure and brought to life the many journeys that can be taken through it. The aims of Eye Music Trust are to open up contemporary music to the largest possible audiences, and Colourscape has proved to be the perfect environment to increase the appreciation of some of the most innovative and creative music to audiences of all ages.
Watch the video on YouTube > |
Summer Party & Cabaret - June 2015
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The Fourth Choir ended the 2014-2015 year with a cabaret, with performances by members of the choir. Selections included Angels, Punks and Raging Queens from Elegies, Hello from The Book of Mormon, Money Money from Cabaret (Kander & Ebb), Burlington Bertie From Bow (Hargreaves), Gnu Song (Flanders & Swann), The Girl In 14G (Chenoweth), Love is Where You Find It (Brown), Cuckoo Song (Quilter & Williams), Nothing (Hamlisch), The Cat Duet, (Rossini), By The Sea (Sondheim), Quiet (Reid Gealt), Blackbird (Swingle Singers) and some original compositions from members of the choir.
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Baroque Summer Solstice - June 2015
Photo by Cara Rainbow
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We performed the Vivaldi Gloria at St Peter's Eaton Square with the Meridian Sinfonia, as well as other Renaissance and Baroque music by Bach, Palestrina, Schütz, and Tallis.
A highlight was the UK premiere of “Apparuit Deus Moysi", a jazzy chant and double choir piece by Antonio Maria Abbatini (1597-1672) which was hidden in the Vatican archives for over 350 years, until the manuscript was discovered by Giuseppe Pecce, one our members, whilst carrying out research in the Vatican library. Another highlight was the world premiere of our latest commission from Alexander Campkin, “The First Kiss”, a poignant and daring Epigram by Greek philosopher Strato, which was written to be paired with Baroque music and uses a Baroque orchestra. The concert was part of the London Pride Arts Festival 2015, and a donation was taken for Pride in London. |
Two Choir Coalition! - May 2015
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We were delighted to present a joint concert with Chantage Choir and James Davey, at Holy Redeemer, Exmouth Market, Clerkenwell, on the day after the UK elections. The choirs performed several joint numbers, including Faire is the Heaven for double choir, by William Harris. Chantage performed songs from their recent Album 'My Promise', and selections from Frank Martin Mass for double choir, and The Fourth Choir sang James McMillan, J.A.C. Redford, and Chinese choral songs only performed once before in the UK.
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Benefit concert - March 2015
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The Fourth Choir performed a concert in aid of Haringey Migrant Support Centre and Hackney Migrant Centre, at St Mary's Church in Stoke Newington. The choir donated our services, and all proceeds raised on the night (£2540) went directly towards providing immigration, housing and welfare advice for migrants in need of support.
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Spring Songs - March 2015
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We performed in the wonderful panelled Great Hall at Two Temple Place (featured in Downton Abbey) as part of The Bulldog Trust's annual art exhibition 'Cotton to Gold' - a collection of watercolours, oil paintings, Japanese prints, medieval manuscripts, woodcuts, and natural history. We sang choral songs about nature, including Britten's Five Flower Songs, Ralph Vaughan-Williams's atmospheric settings of Three Shakespeare Songs plus arrangements of Scottish folk songs by Sir Hugh Roberton.
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Berwin Leighton Paisner - March 2015
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The Choir was delighted to sing once again for the LGBT network at Berwin Leighton Paisner and their guests. BLP sponsored our initial launch party and performance. Supporting highly visible LGBT+ groups like The Fourth Choir is an important way for major corporations to give to the LGBT+ community. A collection of £250 was taken for The Albert Kennedy Trust, to help them mark their 25th anniversary.
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Recording session - January 2015
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By January 2014, the Choir had doubled in size since our first recording session in March 2014, so it was time to put document our new sounds. We recorded "Unleash the beauty of your eyes”, our first commission by acclaimed British composer Alexander Campkin.
"I was really excited to be writing a piece for The Fourth Choir, because I knew that the level of standard was very, very high, and I felt that I was able to write whatever I imagined in my head." Alexander Campkin |
2014
Shades of Light - December 2014
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We returned to the newly restored St Giles-in-the-Fields in December. Music included ancient and modern songs of transcendent beauty including Praetorius accompanied by period instruments, Arvo Pärt, Tallis, Tavener, and Hildegard von Bingen, with secular seasonal favourites and carols. We were delighted to have special guest speaker Jonathan Blake, honoured in the film "Pride".
The audience donated £900 in a collection for The Albert Kennedy Trust, an LGBT+ charity which was chosen by the choir to help them mark their 25th anniversary. The Trust supports lesbian, gay, bisexual and trans homeless young people in crisis. |
Southbank Centre - August 2014
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Big Wedding Weekend - We were privileged to sing at the Southbank Centre for the joint wedding of ten couples in the Royal Festival Hall. To celebrate the year in which same sex marriage became legal, Southbank Centre invited groups of couples, gay or straight, young or old, to marry or renew their vows during the Big Wedding Weekend, which was part of the Festival of Love. The choir was conducted by Andrea Brown, our Associate Music Director.
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Hackney Empire - July 2014
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The choir performed in the beautiful historical Hackney Empire, at the Sing Out! Festival compered by former BBC Last Choir Standing judge Sharon D Clarke, featuring professional and local choirs from across London. We were joined by The ACM Gospel Choir, The Reapers Choir, Enchorus, The Reggae Choir and The Hackney Empire Community Choir led by Sharon D and Joseph Roberts. It was an amazing and inspirational evening of choral diversity. The choir was conducted by Andrea Brown, our Associate Music Director.
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Circle Songs - June 2014
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Our Circle Songs concert on Midsummer's Eve was a night of choral soundscapes sung in the round, in the atmospheric byzantine King’s College London Chapel.
The programme included music by Bobby McFerrin, Victoria, Nusch, Duruflé, Gumpelzhaimer, James Taylor - ancient songs combined with contemporary works and improvisation. The performance featured the world premiere of “Unleash the beauty of your eyes”, a new work by acclaimed British composer Alexander Campkin which is a setting of a love poem by the 7th century BC Greek lyric poet Sappho (who famously lived on the island of Lesbos). We performed the premiere around a statue of Sappho (by German sculptor Ferdinand Seeboeck) located in the King’s Building foyer in the presence of the composer and his family. |
Toksvig Wedding - March 2014
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The Fourth Choir had the honour and pleasure of singing at Sandi and Debbie Toksvig's Wedding on March 29, which was the day that The Marriage (Same-Sex Couples) Act came into force. It was a moving family event attended by 2000 people at the Royal Festival Hall. We shared the stage with The London Gay Men's Chorus, Sharon D Clarke, and Rick Wakeman.
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BBC Newsnight - March 2014
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The Fourth Choir were featured in the lead story on BBC Newsnight in the week leading up to The Marriage (Same-Sex Couples) Act. The story covered a BBC poll revealing that 22% of people would not accept an invitation to a gay wedding. This poll shows the amount of work still to be done before LGBT+ people will be fully integrated and accepted. We are passionate about our mission to affect human rights and equality through cultural impact, by singing at events and venues under-represented by the LGBT+ community, and by commissioning LGBT+ relevant choral music.
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Recording session - March 2014
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With 16 singers, the Choir recorded four songs from our Love & Adoration concert. Of those, we chose to video Ed Rex's 'This Marriage', so that we could send our positive message about the Marriage (Same-Sex Couples) Act across the UK and the rest of the world on YouTube.
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Love & Adoration - February 2014
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The Fourth Choir celebrated the coming into force of the Westminster Marriage (Same-Sex Couples) Act with a concert at the fabulous Old Finsbury Town Hall. Entitled Love and Adoration – the Sacred and Profane, the concert was a musical exploration of 500 years of choral music on the theme of love. Beginning with music composed in the 16th century by Thomas Tallis and Henry Purcell, the programme included works by Saint-Saens, Duruflé and Eric Whitacre. The emotional highlight of the concert was the performance of ‘This Marriage’ – a setting by young composer Ed Rex of an ecstatic love poem by 13th century Persian poet Rumi. The poem’s (gender neutral) words culminate in the lines “May this marriage be a sign of compassion, a seal of happiness, here and hereafter. I am out of words to describe how spirit mingles in this marriage.” We were delighted that Ed Rex was able to attend the concert.
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Kaleidoscope Gala Dinner - January 2014
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The Fourth Choir was delighted to be invited to sing at Kaleidoscope Trust's major fundraising event of the year, set amidst the splendour of London's legendary Cafe de Paris.
Kaleidoscope works hard to defend the basic human rights of LGBT+ people around the globe and has been active on the ground in many of those places, meeting activists in Uganda, Kenya, Ghana, Malawi, Trinidad and Tobago, Sri Lanka and India. |
2013 - the year we began
A Babe is Born - December 2013
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The choir performed its debut concert at St Giles-in-the-Fields in December. Music included Christmas choral music from across the world, including Richard Allain, Benjamin Britten, and a special tribute to John Tavener who passed away in November 2013. Renowned political campaigner Peter Tatchell spoke at the concert about the struggle for global LGBT+ rights. He began his address with the wry words “I am not accustomed to being invited to speak in churches…”.
The audience donated almost £1000 in a collection for Kaleidoscope Trust, an LGBT+ charity which was chosen by the choir because of current events affecting LGBT+ people in India, Uganda and Russia. |
Launch Party - 15 November 2013
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The Fourth Choir was co-founded by Kathleen Holman and Francis Nwokedi, with 16 LGBT+ singers all wishing to sing classical and modern choral works to the highest possible standard. Led by artistic director Dominic Peckham, one of the UK’s finest young choral conductors, the choir has set out to represent the LGBT+ community in London’s world-class classical music scene.
Our first performance was at our Launch Party held at 80 Leonard Street Gallery. The event introduced the ambitions of the Choir to the music community, potential sponsors and friends, enabling us to raise the funds for projects in 2014, which includes supporting students and unwaged members, commissioning LGBT+ relevant choral works, making recordings of the choir, and holding vocal workshops that will develop the choir's collective abilities. The event was sponsored by Berwin Leighton Paisner LLP. |
